I find that there is something wonderfully peaceful and magical about watching someone prepare to do something, whether it is before a soccer player takes the field, a ballerina takes to the floor, a musician begins to practice, or a painter puts his or her brush to the canvas. There is almost a palpable anticipation for what comes after the warm-ups or preparations are complete because just from watching them, you know that you are in for a treat; they have had years to refine and hone not only their skill or art, but to practice their preparatory rituals as well.
Before I unpack, I put my case down and stretch – right shoulder, then left, flex and hold my right wrist for a forearm stretch, then the left. Bend and hold fingers on the right hand, do the same for the left. Shake it out, then open the case. Violin out, attach shoulder rest, remove bow from case and tighten before applying rosin. G major scale, 3 octaves, 2 notes per bow. Then 3, then 4, then 6, then 8. Then arpeggios. What comes after depends on my mood, but these parts are always the same.